Agent: Sandra Dijkstra
In this stunning, gritty debut collection, Curtis Dawkins, an MFA graduate and convicted murderer serving life without parole, takes us inside life in the prison system with stories that dazzle with their humor and insight even as they describe a harsh and barren existence.
In Curtis Dawkins's first short story collection, he offers a window into life in prison through the eyes of his narrators and their cellmates. Dawkins delves into the idiosyncrasies, tedium, and desperation of long-term incarceration—he describes not a picture of endless brutality but, rather, a multifaceted exploration of men who struggle to keep their souls alive in almost impossible circumstances.
In "A Human Number," a man spends his days collect-calling strangers just to hear the sounds of the outside world. In "573543,"a traveling salesman descends into addiction alongside his team's winning streak in the prison baseball league. In "Leche Quemada," Clyde is released and finds freedom more complex and baffling then he expected. Dawkins's stories are funny and sad, filled with unforgettable detail—the barter system based on calligraphy-ink tattoos, handmade cards, and cigarettes; a single dandelion smuggled in from the rec yard; candy made from powdered milk, water, sugar, and hot sauce. His characters are nuanced and sympathetic, despite their obvious flaws.
The Graybar Hotel tells moving, human stories about men living in impossible circumstances. Dawkins brings readers beyond the cells into characters' pasts and memories and desires, into the unusual bonds that form during incarceration and the strained relationships with family members on the outside. He's an extraordinary writer with a knack for metaphor, and this is a powerful compilation of stories that gives voice to the experience of perhaps the most overlooked members of our society.
“In ‘Engulfed,’ a riveting story near the end of his powerful debut collection, Curtis Dawkins writes, ‘Once you become a number, all you are is the words you use. If your words aren’t real, then neither are you.’ It’s a serious, demanding standard that Dawkins sets for his writing and every story in this book not only rises to the challenge, but succeeds in realizing and honoring what Dawkins desires his words to be. The words and the writer are real indeed, as is the unforgettable experience of reading this book.”
"In The Graybar Hotel, Curtis Dawkins brings the contemporary short story at its best into the shadowy world of America at its worst, behind the bars of its overpopulated and ubiquitous prisons. These brilliantly crafted stories – with their formal inventiveness, savory dialogue, meticulous detail, and succinctly compassionate portraiture – are as much a manual in how to write original short fiction as in how to think about prisons. Still, anyone who wants to understand America’s correctional system through the clarifying lens of great fiction will now have to know three indispensable books: Malcolm Braly’s On the Yard, for the social novel; Chester Himes’ Yesterday Will Make You Cry, for the bildungsroman; and now Curtis Dawkins’ The Graybar Hotel, for the short story."
—Jaimy Gordon, author of the National Book Award-winning novel Lord of Misrule
“Curtis Dawkins draws from his direct experience to paint a picture of jailhouse life in all its grimness. He conveys the repulsive mixture of boredom, stupidity, filthiness, meanness and chronic anxiety that is the prisoner's lot. The inmates are dysfunctional, the structure that houses them authoritarian. This book will scare you straight--or should. But within their cages, Dawkins' prisoners dream--of criminal schemes, drugs, women--and an American world outside the walls. Their avid fantasies burn with a furious light against the bleak institutional background, exploding with ingenuity, pathos and rebellion. In many cases, these outsiders are, like Dawkins himself, artists.”
—Atticus Lish, author of Preparation for the Next Life
“The Graybar Hotel is unlike any other short story collection I’ve ever read. Dawkins’ cast of characters are forever longing for escape – escape from prison, escape from their past, escape from freedom, even. And when the escape is successful, when one reality is traded for another, Dawkins’ characters find themselves lost, even pining for what they had in the first place. The Graybar Hotel is not a 'prison-book'. It is a mirror, held up to our culture of incarceration. It is a testament, a testimony that the people inside prison are as much Americans, as much citizens as their guards, parole officers, and wardens, that there is no outside, that prisons are as much America as pubs, playgrounds, or parks. There is a current of electricity running through this book, a shocking voltage of truth. What an authentic and rare book The Graybar Hotel is.”
—Nickolas Butler, internationally bestselling author of Shotgun Lovesongs, Beneath the Bonfire, and The Hearts of Men